Chosen as vocalist of the year, he recorded 'St Louis Blues' with the Metronome All Stars of 1953, and also worked with Maynard Ferguson's Orchestra for a time. A collar designed to be worn with the neck button either fastened or unfastened. In London. A remarkable artist, the sonorous B. His style and technique have seen extensively copied by some of the neocommercial singers, but despite their efforts he remains out front to show how and what should have been done., Quincy Jones was quoted in Billboard: I looked up to Mr. B as an idol. Timeless Billy Eckstine represents a nice single-disc overview of the bop stylings that influential vocalist recorded during the late '40s. After forming his own big band that year, he hired all three and gradually recruited still more modernist figures and future stars: Wardell Gray, Dexter Gordon, Miles Davis, Kenny Dorham, Fats Navarro, and Art Blakey, as well as arrangers Tadd Dameron and Gil Fuller. Billy Eckstine and Sugar Ray Robinson. He was famous for his "Mr. B. Collar" a high roll collar that formed a "B" over a Windsor-knotted tie (or without a tie at all). The same as the wing collar, but with rounded tips. On the group's frequent European and American tours, Eckstine also played trumpet, valve trombone, and guitar. Eckstine left Howard University after winning an amateur contest in 1933 and began singing in nightclubs and with dance bands. A flat, round-cornered collar, named after the collar of the costume worn in 1905 by actress, A round, flat, limp collar based on the costume worn by the, A soft shirt collar, often with long points, worn by, A style of wearing a collar unfolded and high against the neck, made popular in the early 1980s with, A collar tied in a large bow under the wearer's chin. On the way back north the band travelled in what they called a Jim-Crow car. After a few years of touring with road-hardened be-boppers, Eckstine became a solo performer in 1947, and seamlessly made the transition to string-filled balladry. WebBorn on July 8, 1914, in Pittsburgh, Pennsylvania, William Clarence Eckstine, who was largely self-taught, not only sang but also excelled as a trumpeter, valve-trombonist, and guitarist. An influence looming large in the cultural development of soul and R&B singers from Sam Cooke to Prince, Eckstine was able to play it straight on his pop hits Prisoner of Love, My Foolish Heart and I Apologize. He was the composer of the blues classic "Jelly, Jelly" and also recorded the R&B top hit "Stormy Monday Blues" in 1942 (not to be confused with T-Bone Walker's 1947 "Call It Stormy Monday (But Tuesday Is Just As Bad)"). The Billy Eckstine Orchestra was the first bop big-band group and its leader reflected bop innovations (early form of modern jazz originating around 1940) by stretching his vocal harmonics into his normal ballads. [4], His 1950 appearance at the Paramount Theatre in New York City, drew a larger audience than Frank Sinatra at his Paramount performance. Apart from working with the Ellington band on that occasion in 1966, Eckstine also recorded a successful album with Count Basie in which he recreated his blues hits, and others with Quincy Jones. Most collars are fitted to a jewel neck, a neckline sitting at the base of the neck all around; if the garment opens down the front, the top edges may be folded back to form lapels and a V-shaped opening, and the cut of the collar will be adjusted accordingly. Formed Bebop Big Band. He recorded more than a dozen hits during the late '40s, including "My Foolish Heart" and "I Apologize." One photograph taken by Martha Holmes and published in LIFE showed Eckstine with a group of white female admirers, one of whom had her hand on his shoulder and her head on his chest while she laughed. He also performed as an actor in the TV sitcom Sanford and Son, and in such films as Skirts Ahoy, Lets Do It Again, and Jo Jo Dancer. The vandyke collar was also popular in the United States in the 1880s.[13]. Without a Song . Collars may also be stiffened, traditionally with starch; modern wash-and-wear shirt collars may be stiffened with interfacing or may include metal or plastic collar stays. A knitted collar similar to a turtleneck, but without a turnover. [citation needed], I looked up to Mr. B as an idol. He also introduced new songs on radio - 'Skylark' was one - becoming the first black person to do so, made an exception because of his particularly clear diction. Eckstine became a solo performer in 1947, with records featuring lush, sophisticated orchestrations. billy eckstine biography [5] Billy's sister, Maxine, was a high school teacher.[6]. Similar to a Johnny collar, only with one or two buttons at the bottom of the V-neck line, creating a "Y" shape. Later, he won an amateur competition by singing Stardust at the Howard Theatre in Washington, D.C. For a time, he worked as a singing waiter at the Fort Pitt Hotel in Downtown Pittsburgh. Size 10.0 Source 78 User_cleaned Bai Konte User_metadataentered Jordan Gold User_transferred Jordan Gold

Feel free to contribute! Despite the group's modernist slant, Eckstine hit the charts often during the mid-'40s, with Top Ten entries including "A Cottage for Sale" and "Prisoner of Love." eckstine billy 1952 mr great previous _______________________________________________________.



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In addition to looking cool, the collar could expand and contract without popping open, which allowed his neck to swell while playing his horns.." His popularity demanded that he devote most of his time to his night-club ballad work, and although he always remained fervently interested in jazz and still included it in his act, his enormously successful duets with Sarah Vaughan, the 1957 'Passing Strangers' amongst them, were all targeted at the non-jazz listener. Though he was forced to give up the band in 1947 (Gillespie formed his own bop big band that same year), Eckstine made the transition to string-filled balladry with ease. In 1986, Billy recorded his final album Billy Eckstine Sings with Benny Carter. His last hit was "Passing Strangers", a duet with Sarah Vaughan released in 1957. The two young vocalists began perfecting their singing styles. Eckstine was a pallbearer at Davis' funeral in 1990. Tall, handsome and blessed with a velvety baritone voice that seduced jazz lovers everywhere, Billy Eckstine left his mark on music as a band leader, mentor, entertainer and singer. Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as the first romantic black male in popular music. By contrast, in Slavic countries, including at least Poland, and Ukraine, the top button is buttoned even in the absence of a tie. Like Dinah Shore and Frank Sinatra, Eckstine arrived in the big time by appearing at New Yorks famous Paramount Theatre. B. Collar. In addition to looking cool, the collar could expand and contract without popping open, which allowed his neck to swell while playing his horns.. WebSinger Billy Eckstine, pianist Bobby Tucker and bassist John Levy rehearse backstage at Carnegie Hall on November 11, 1952 in New York, New York. A collar with buttonholes on the points to fasten them to the body of the shirt. ), A high stiff collar such as the Canadian hockey commentator/celebrity, A wide stiff buttoned collar forming part of the uniform of, A collar with rectangular points falling over the chest, worn in the 17th century and remaining part of, A standing collar with the points pressed to stick out. eckstine

And, of course, he hasnt looked back since. After working his way west to Chicago, Eckstine joined Earl Hines Grand Terrace Orchestra in 1939, staying with the band as vocalist and, occasionally, trumpeter, until 1943. We, the whole music profession, were so happy to see him achieve what he was doing. Film "Flame And The Flesh". He recorded more than a dozen hits during the late 1940s, including My Foolish Heart and I Apologize. He was one of the first artists to sign with the newly-established MGM Records, and had immediate hits with revivals of Everything I Have Is Yours (1947), Richard Rodgers and Lorenz Harts Blue Moon (1948), and Juan Tizols Caravan (1949).
Citizen by choice, not by force: I am American. He recorded several albums for Mercury and Roulette during the early '60s (his son Ed was the president of Mercury), and he appeared on Motown for a few standards albums during the mid-'60s. Later moving to Washington, D.C., Eckstine began singing at the age of seven and entered many amateur talent shows. Want to bookmark your favourite articles and stories to read or reference later? Singer Billy Eckstine chats backstage with a man at Carnegie Hall on November 11, 1952 in New York, New York. Eckstine's smooth baritone and distinctive vibrato broke down barriers throughout the 1940s, first as leader of the original bop big-band, then as one of the first romantic black males in popular music. Augustus Washington, the first African American photographer who documented the lives of the Liberian middle class in the mid-1800s, Five remarkable facts about Emmet Tills mother, Mamie Till-Mobley, you should know, Big Bill Tate, the heavyweight boxer who used the rings to get jobs for 2,600 black workers, Discovering Cape Towns gastronomic scene: 7 restaurants to try on your next visit, 24-yr-old makes headlines for marrying white man 61 yrs her senior. The Oxford English Dictionary traces collar in its modern meaning to c. 1300, when collars served as neck-protecting armour. [citation needed], Eckstine was the subject of a three-page profile in the April 25, 1950 issue of Life magazine, in which the photographer Martha Holmes accompanied Eckstine and his entourage during a week in New York City. Eckstine had one of the best voices in popular music, and his warm bass-baritone with its wide and well-controlled vibrato and clear diction was one that found approval from both jazz aficionados and from more general listeners. During the late 30s, Eckstine who had come to Chicago got hired by Earl Hines to join his Grand Terrace Orchestra in 1939. From 1939 to 1943 Eckstine sang with Hiness band, and at his urging Hines hired such newcomers as Sarah Vaughan, Dizzy Gillespie, and Charlie Parker. Singer-bandleader Billy Eckstine, whose warm baritone graced a string of 40 s and 50s hits such as Fools Rush In and Everything I Have Is Yours, died yesterday. Though white bands of the era featured males singing straight-ahead romantic ballads, Black bands were forced to stick to novelty or blues vocal numbers until the advent of Eckstine and Herb Jeffries (from Duke Ellington's Orchestra). [13] The photograph was considered so controversial that an editor at Life sought personal approval from Henry Luce, the magazine's publisher, who said it should be published. He designed and patented a high roll collar that formed a "B" over a Windsor-knotted tie, which became known as a "Mr. B. In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck. 02:53 Writer: Billy Rose - Vincent Youmans / Composers: Edward Eliscu. Sadly for history it made few recordings and most of those were of commercial ballad vocals. Billy Eckstine / Sarah . After disbanding his group, Eckstine embarks on a solo vocal career, becoming one of the post-WWII eras biggest stars, reeling off hit after hit and attracting huge, enthusiastic integrated audiences.

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